WRITING
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“Swanson’s Dark Ecological Disco,” Exhibition Catalog: A Memorial to Ice at the Dead Dear Disco, MASS MoCA, 2022
“How to Photograph a Forest through the Trees,” (Notes on a Work-in-Progress), Embodied Forest, Ed. Patricia Watts, ecoartspace, 2021
“Claims to Immediacy: The Artist as Historian and Eclipse at the Massachusetts Museum of Contemporary Art,” Memory Connection, Vol. 3, ed. by Kendall Phillips, Ekaterina Haskins and Kingsley Baird. Memory Connection is a peer-reviewed journal project of The Memory Waka Research Group, Massey University, New Zealand.
“Sacral Art, Courtly Art, Bourgeois Art… and Then…,” in Museum of Capitalism ed. by Fictilis, Los Angeles: Inventory Press, 2017
“ Photographs and Fossils,” in Curating the Future: Museums Communities and Climate Change, ed. Jennifer Newell, Libby Robin and Kirsten Wehner (New York: Routledge Environmental Humanities, 2017)
“The Pensive Photograph as Agent: What Can Non-Illustrative Images Do to Galvanize Public Support for Climate Change Action?” in Climate Change: Visualizations, Imaginations, Documentations, ed. by Birgit Schneider & Thomas Nocke (Bielefeld: Transcript Verlag, 2014) pp. 299-322.
“What We Can’t See from the Ground: The Contribution of Gielen’s Images to Climate Activism,” in Ciphers, Christoph Gielen (Berling: Jovis, 2014)
“Blank Stare,” in Making the Geologic Now: Responses to the Material Condition of Contemporary Life, ed. Elisabeth Ellsworth and Jamie Kruse (New York: punctum books, 2012)
“Destroy this Book,” in Green Patriot Posters: Images for a New Activism, ed. Dmitri Siegel and Edward Morris (New York: Metropolis Books, 2010)